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Mumbling Beauty. Louise Bourgeois

ID товара:   12771

1650 грн

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Авторы: Alex van Gelder  Hans-Ulrich Obrist  

Издательство: Thames & Hudson
Язык: Английский  
Обложка: Твёрдая
Год издания: 2015

ISBN:   978-0-500-09391-7
К-во страниц: 112 стр.
Размер: 309x239x20
Масса: 1150 грамм

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Product Name: Mumbling Beauty. Louise Bourgeois
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SKU: 12771
gtin: 9780500093917
Description:
From 2008 to 2010 Louise Bourgeois allowed Alex Van Gelder into her private world - her studio and home- and indulged his lens, while she worked, rested and waited, mischievous or lost in thought, weary of decrepitude, raging, defiant to the end. She fills the camera with her presence. This book deals with her life and work.

From 2008 to 2010 Louise Bourgeois allowed Alex Van Gelder into her private world - her studio and home- and indulged his lens, while she worked, rested and waited, mischievous or lost in thought, weary of decrepitude, raging, defiant to the end. She fills the camera with her presence. It is a profound portrait of an artist of the utmost consequence and a piercing study of extreme age. Louise Bourgeois was one of the last surviving artists of the high modernist era, and her early work anticipated what would come in the late modern and post-modern eras, including minimalism, installation art and body art. However, she did not achieve fame until after her 70th year, discovered and heralded by a new generation. Once discovered, her reputation grew in the 1980s, 90s and 2000s with an array of major international exhibitions and a burst of creativity. Throughout, her art is confessional, psychological and fraught with fear, anger and sexuality. Van Gelder's collaborative portrait is in many ways a message from Bourgeois to the world, her chosen epitaph, scrawled in her own way by gesture, expression, and posture.

Despite the frailty and decrepitude of her near one hundred years, she defies her vulnerability.
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From 2008 to 2010 Louise Bourgeois allowed Alex Van Gelder into her private world - her studio and home- and indulged his lens, while she worked, rested and waited, mischievous or lost in thought, weary of decrepitude, raging, defiant to the end. She fills the camera with her presence. This book deals with her life and work.

From 2008 to 2010 Louise Bourgeois allowed Alex Van Gelder into her private world - her studio and home- and indulged his lens, while she worked, rested and waited, mischievous or lost in thought, weary of decrepitude, raging, defiant to the end. She fills the camera with her presence. It is a profound portrait of an artist of the utmost consequence and a piercing study of extreme age. Louise Bourgeois was one of the last surviving artists of the high modernist era, and her early work anticipated what would come in the late modern and post-modern eras, including minimalism, installation art and body art. However, she did not achieve fame until after her 70th year, discovered and heralded by a new generation. Once discovered, her reputation grew in the 1980s, 90s and 2000s with an array of major international exhibitions and a burst of creativity. Throughout, her art is confessional, psychological and fraught with fear, anger and sexuality. Van Gelder's collaborative portrait is in many ways a message from Bourgeois to the world, her chosen epitaph, scrawled in her own way by gesture, expression, and posture.

Despite the frailty and decrepitude of her near one hundred years, she defies her vulnerability.

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