A many-faceted history of self-portraiture, telling the history of the artworks that offer the deepest insights into an artist’s personal, psychological and creative world
In this broad cultural survey of self-portraiture, art historian and critic James Hall brilliantly maps the history of the genre, from the earliest myths of Narcissus and the Christian tradition of ‘bearing witness’ to the prolific self-image-making of today’s contemporary artists. His vivid account shows how artists’ depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval ‘mirror craze’; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization
The full range of self-portraits is covered here, from comic and caricature self-portraits to ‘invented’ or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why – and when – artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.