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Art: The Whole Story

ID товара:   13960

1000 грн

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Автори: Stephen Farthing  Richard Cork   

Видавництво: Thames & Hudson
Мова: Англійська  
Обкладинка: М'яка
Рік видання: 2018

ISBN:   9780500294468
К-ть сторінок: 576 стр.
Розмір: 245x172x50
Маса: 1400 грам

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Product Name: Art: The Whole Story
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SKU: 13960
gtin: 9780500294468
Description: Written by an international team of artists, art historians and curators, Art: The Whole Story gives readers unparalleled insights into the world’s most iconic artworks. Organized chronologically, this revised edition traces the evolution of artistic development period by period right up to the present, with the illustrated text covering every genre of art, from painting and sculpture to conceptual art and performance. Cultural timelines help the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles d’Avignon was so shocking in its day.
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Price: 1000
Written by an international team of artists, art historians and curators, Art: The Whole Story gives readers unparalleled insights into the world’s most iconic artworks. Organized chronologically, this revised edition traces the evolution of artistic development period by period right up to the present, with the illustrated text covering every genre of art, from painting and sculpture to conceptual art and performance. Cultural timelines help the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles d’Avignon was so shocking in its day.

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